Donatella.ro Blugi, Cizme, Fuste, HAINE, Haine femei, Imbracaminte, Pantofi, Rochie

A classical adage says that every woman should have a black dress in the wardrobe. The litlle black dress, the famous dress worn by Audrey Hepburn in Breakfast at Tiffany 's. Audrey had, without indoaiala style. Because of her stature, elegant movements, her perfect features, Audrey became a fashion-icon of the '60s. Audrey appreciate simplicity. Clothes they highlight her slender physique, also physically very different from the pleasure of Marilyn Monroe. Audrey invented the little black dress, she was the little black dress, because he knew how to wear the big screen. A simple dress, became the symbol. It remains only to contradict me saying "Clothes make the man" and say "No Clothes make the man". Man must know how to wear a coat and it fits the physical data of human, gets in his way of his personality. Perhaps you happened to see two women dressed the same, same shirt, the same dress or the same Trousers and suradeti or even have to turn your home and that item will be amused, enjoying the same time you opted for something else that day. But placed side by side, the clothes seem different. In between them sits a little better. The other is an accessory that seems to change the whole outfit. One of them has style, the other did not know his colors match well. I think a large woman dressed as, who knows how to wear clothes, one that has style and attitude and not least, elegance, will surely come out in evidence.

Audrey Hepburn has stood out, he struck her style simple. He knew how to take the simplest silhouettes and turn them into something special and unique. Hubert Givenchy was the principal designer who has dressed her a big screen in films such as Breakfast at Tiffany's, Charade, How to steal a million, Funny Face, Paris when it sizzles. First impressions of the great fashion designer on this elegant feline s You might be surprised. When the studio door opened, Givenchy was struck by a young woman, very low and very high, with large eyes, cutting the boys, wearing a pair of tight pants, a shirt, a pair of slippers and a gondolier with a bow Basque red that said Venezia. Creator told him that he wants to help her, but busy with a new collection and not enough people to make them new clothes. But she asked me to show him what clothes already. All dresses She felt perfectly and knew exactly what she needs. He was aware of her strengths and flaws, was conscious of her figure and body, so he knew what a favor and not. Givenchy has recognized that saw it as a highly sensitive animal. He was amazed by her eyes so big and insightful and her slim physique, that was wearing clothes that no longer mattered. Strike out. Audrey Hepburn has created his own style. Even with the Givenchy, she was her own creative work.

In her example, stands this little secret to know you very well, you know and care of the body, to wear clothes that are not necessarily trendy, but for your good Fri. The body is not perfect, is a matter which shape, it works, we all have defects and asymmetries but we must develop this complex. We need to recognize strengths and be fully aware that each of us has a style and clothes does nothing more than to pull your obvious beauty, personality and forms perfect in their imperfection of this majestic monument, which is man.
Website :- http://www.donatella.ro/

Labels: blugi, cizme, fuste, HAINE, HAINE DAMA, haine femei, imbracaminte, pantofi, rochie, ROCHII, rochite

Androgynous bodies. Masti color. Masks superficial. Lights. Reflectors. Images and much artificiality. Fashion is an art or a product created by a world that is guided and feeds with images, a sensitive world built of cards?

Growth in a world that we induce preconceived ideals of beauty. Movies, magazines, pictures and all the images around us shows us an ideal world, a hallucination that has no connection with reality. Really comes from human desire for perfection? From an aesthetic of beauty, which is ugly disgrace? Or is created by a consumer society which puppets born xeroxed? For Fashion born slaves. We are slaves to trends that we dress in dresses, but now we put on overalls, and then get naked and throw the overalls and dresses us. We are slaves of shops, malls, cabs of probation and reductions. If Eve would have had a beautiful evening dress, she had launched a universal trend. Yet, even when fashion was born. From the nude, from knowing how to wear your nudity in the know to cover your forms with taste.

Fashion is trivial and childish, but was elevated to art by many times, and hauntingly seductive. In the story HC Andersen, The Emperor's New Clothes, we can see the illusion created by the idea. A collective hallucination, even a collective consensus that no one dared to see reality. Only one child dared to say that the emperor was actually naked. And from there, hysteria created. The story is a mirror of reality, which proves that not everything in fashion can be elevated to art. Not everything in fashion is beautiful, and chic. But fashion we educate ourselves shaped by existing concepts and believe in them, because they do not dare to see otherwise, let the image through our own filter.

Fashion has its identity, is a visual language to express. But nudity expresses and is certainly more expressive than the artificiality of the materials. Over time, fashion has become an art. From simplicity to complexity Greek muses French kings of detail clothing, fashion became extravagant in its sensitivity. Now, simple demands of man's body and dress, and the luxury of expensive materials and combinations cover extravagant. Fashion meets human need to dress well, but the luxury of body Strip.

Labels: blugi, cizme, fuste, HAINE, HAINE DAMA, haine femei, imbracaminte, pantofi, rochie, ROCHII, rochite

Corpuri androgine. Masti de culoare. Masti superficiale. Lumini. Reflectoare. Imagini si multa artificialitate. Este moda o arta sau un produs creat de o lume ce se ghideaza si se hraneste cu imagini, o lume sensibila cladita din carti de joc?

Crestem intr-o lume preconceputa care ne induce idealuri de frumusete. Filmele, revistele, pozele si toate imaginile din jurul nostru ne arata o lume ideala, o halucinatie care nu are nicio legatura cu realitatea. Provine oare din dorinta omului de perfectiune? Dintr-o estetica a frumosului, prin care uratenia e dizgratiata? Sau e creata de o societate de consum care naste marionete trase la indigo? Pentru ca moda naste sclavi. Suntem sclavii trendurilor care ne imbraca in rochii, ca apoi sa ne imbrace in salopete, ca apoi sa ne dezbrace de salopete si sa arunce iar rochii pe noi. Suntem sclavii magazinelor, mall-urilor, cabinelor de proba si reducerilor. Daca Eva ar fi purtat o rochie frumoasa de seara, ea ar fi lansat un trend universal. Si totusi, chiar atunci s-a nascut moda. De la nud, de la a stii cum sa-ti porti nuditatea, la a stii sa-ti acoperi formele cu gust.

Moda este banala si puerila, dar a fost ridicata la rang de arta de atatea ori, halucinanta si seducatoare. In povestea lui H.C. Andersen, Hainele cele noi ale imparatului , putem observa iluzia creata de idee. O halucinatie colectiva, chiar un consens colectiv prin care nimeni nu indraznea sa vada realitatea. Doar un copil a indraznit sa spuna ca imparatul era de fapt gol. Si de acolo, isteria creata. Povestea este o oglinda a realitatii, care demonstreaza ca nu tot ceea ce este la moda poate fi ridicat la rang de arta. Nu tot ceea ce este la moda este frumos, sau sic. Dar moda ne educa, ne lasam modelati de conceptele actuale si credem in ele, pentru ca nu indraznim sa vedem altfel, sa trecem imaginea prin propriul nostru filtru.

Moda are identitatea ei, este un limbaj vizual care exprima. Dar si nuditatea exprima si este cu siguranta mai expresiva, decat artificialitatea materialelor. De-a lungul timpului, moda a devenit o arta. De la simplitatea muzelor grecesti la complexitatea detaliului imbracamintei regilor francezi, moda a devenit extravaganta prin sensibilitatea ei. Acum, satisface atat nevoile simple ale omului de a-si imbraca trupul, cat si luxul de a-l acoperi in materiale scumpe si combinatii extravagante. Moda satisface nevoia omului de a se imbraca bine, dar si luxul de a dezbraca corpul uman.

A classical adage says that every woman should have a black dress in the wardrobe. The litlle black dress, the famous dress worn by Audrey Hepburn in Breakfast at Tiffany 's. Audrey had, without indoaiala style. Because of her stature, elegant movements, her perfect features, Audrey became a fashion-icon of the '60s. Audrey appreciate simplicity. Clothes they highlight her slender physique, also physically very different from the pleasure of Marilyn Monroe. Audrey invented the little black dress, she was the little black dress, because he knew how to wear the big screen. A simple dress, became the symbol. It remains only to contradict me saying "Clothes make the man" and say "No Clothes make the man". Man must know how to wear a coat and it fits the physical data of human, gets in his way of his personality. Perhaps you happened to see two women dressed the same, same shirt, the same dress or the same Trousers and suradeti or even have to turn your home and that item will be amused, enjoying the same time you opted for something else that day. But placed side by side, the clothes seem different. In between them sits a little better. The other is an accessory that seems to change the whole outfit. One of them has style, the other did not know his colors match well. I think a large woman dressed as, who knows how to wear clothes, one that has style and attitude and not least, elegance, will surely come out in evidence.

Audrey Hepburn has stood out, he struck her style simple. He knew how to take the simplest silhouettes and turn them into something special and unique. Hubert Givenchy was the principal designer who has dressed her a big screen in films such as Breakfast at Tiffany's, Charade, How to steal a million, Funny Face, Paris when it sizzles. First impressions of the great fashion designer on this elegant feline s You might be surprised. When the studio door opened, Givenchy was struck by a young woman, very low and very high, with large eyes, cutting the boys, wearing a pair of tight pants, a shirt, a pair of slippers and a gondolier with a bow Basque red that said Venezia. Creator told him that he wants to help her, but busy with a new collection and not enough people to make them new clothes. But she asked me to show him what clothes already. All dresses She felt perfectly and knew exactly what she needs. He was aware of her strengths and flaws, was conscious of her figure and body, so he knew what a favor and not. Givenchy has recognized that saw it as a highly sensitive animal. He was amazed by her eyes so big and insightful and her slim physique, that was wearing clothes that no longer mattered. Strike out. Audrey Hepburn has created his own style. Even with the Givenchy, she was her own creative work.

In her example, stands this little secret to know you very well, you know and care of the body, to wear clothes that are not necessarily trendy, but for your good Fri. The body is not perfect, is a matter which shape, it works, we all have defects and asymmetries but we must develop this complex. We need to recognize strengths and be fully aware that each of us has a style and clothes does nothing more than to pull your obvious beauty, personality and forms perfect in their imperfection of this majestic monument, which is man.

Labels: bluze dama, genti dama, haine dama tinute chic, haine online, imbracaminte online, incaltaminte, jachete, pantofi, rochie, ROCHII, rochii de ocazie, ROCHII DE SEARA, rochii elegante, tinute elegante

Little black dress

O zicala clasica spune ca orice femeie trebuie sa aiba o rochie neagra in garderoba. The litlle black dress , faimoasa rochie purtata de Audrey Hepburn in Breakfast at Tiffany’s. Audrey avea, fara indoaiala, stil. Datorita staturii ei, miscarilor elegante, trasaturilor ei perfecte, Audrey a devenit un fashion-icon al anilor 60. Audrey aprecia simplitatea. Hainele ei scoteau in evidenta fizicul ei suplu, fizic de altfel foarte diferit de voluptatea lui Marilyn Monroe. Audrey a inventat the little black dress, ea era the little black dress, pentru ca a stiut cum s-o poarte pe marele ecran. O rochie simpla, devenita simbol. Nu-mi ramane decat sa contrazic zicala " Haina face pe om" si sa spun " Nu haina face pe om". Omul trebuie sa stie cum sa poarte o haina, iar aceasta se muleaza pe datele fizice ale omului, capata din stilul lui, din personalitatea lui. Probabil vi s-a intamplat sa vedeti doua femei imbracate la fel, cu aceeasi bluza, cu aceeasi rochie sau aceiasi pantaloni si sa suradeti sau chiar sa aveti la randul vostru acel item acasa si sa va amuzati, bucurandu-va in acelasi timp ca ati optat pentru altceva in ziua respectiva. Dar puse una langa alta, hainele par diferite. Pe una dintre ele se aseaza ceva mai bine. Cealalta are un accesoriu care pare sa schimbe intreaga tinuta. Una dintre ele are stil, cealalta n-a stiut sa asorteze bine culorile. Cred ca intr-o mare de femei imbracate la fel, cea care stie sa-si poarte haina, cea care are stil si atitudine si nu in ultimul rand, eleganta, va iesi cu siguranta in evidenta.

Audrey Hepburn a iesit in evidenta, a frapat cu stilul ei simplu. A stiut sa ia siluetele cele mai simple si sa le transforme in ceva special si unic. Hubert Givenchy a fost designerul ei principal care a imbracat-o pe marele ecran in filme ca Breakfast at Tiffany’s, Charade, How to steal a million, Funny Face, Paris when it sizzles. Prima impresie a marelui creator de moda despre aceasta felina eleganta s-ar putea sa va surprinda. Cand usa studioului s-a deschis, Givenchy a fost uimit de o femeie tanara, foarte slaba si foarte inalta, cu ochi mari, tunsa baieteste, purtand o pereche de pantaloni stramti, un tricou, o pereche de papuci si o basca de gondolier cu o funda rosie pe care scria Venezia. Creatorul i-a spus ca ar vrea s-o ajute, dar e ocupat cu o noua colectie si nu are destui oameni ca sa-i faca haine noi. Dar ea l-a rugat sa-i arate ce haine are deja. Toate rochiile ii veneau perfect si stia exact de ce are nevoie. Era constienta de atuurile si defectele ei, era constienta de corpul si de figura ei, de aceea a stiut ce o avantajeaza si ce nu. Givenchy a recunoscut ca vazut-o ca pe un animal extrem de delicat. Era uimit de ochii ei atat de mari si de patrunzatori si de fizicul ei subtire, incat hainele cu care era imbracata nu mai contau. Frapa prin prezenta. Audrey Hepburn si-a creeat propriul stil. Chiar alaturi de Givenchy, ea era propria ei creatoare.

In exemplul ei, sta acest mic secret de a te cunoaste foarte bine, de a-ti cunoaste si ingriji trupul, de a purta haine nu neaparat pentru ca sunt la moda, ci pentru ca-ti vin bine. Corpul nu este perfect, e o materie care se modeleaza, se lucreaza, cu totii avem defecte si asimetrii dar nu trebuie sa ne dezvoltam complexe din asta. Trebuie sa ne recunoastem atuurile si sa fim perfect constiente ca fiecare dintre noi are un stil, iar haina nu face altceva decat sa-ti scoata frumusetea in evidenta, personalitatea si formele perfecte in imperfectiunea lor ale acestui monument impunator, ce este omul.

Labels: bluze dama, genti dama, haine dama tinute chic, haine online, imbracaminte online, incaltaminte, jachete, pantofi, rochie, ROCHII, rochii de ocazie, ROCHII DE SEARA, rochii elegante, tinute elegante

Valentino Garavani s-a nascut in 1932,in Voghera, Italia.
A studiat limba franceza si fashion design la Academia de'll Arte in Milano ( 1948)
La Paris, a lucrat ca designer asistent in atelierele lui Jean Desses si Guy Laroche intre 1955 si 1958.
In 1960 s-a inapoiat in Italia si si-a infiintat propria afacere in Roma.
In 1962 si-a prezentat prima colectie la Florenta. Devine cunoscut pentru rochiile sale rosii si Valentino Redeste emblema industriei de lux.
In aceasta perioada, cele mai bogate si faimoase femei se imbracau in atelierul sau: Jacqueline Kennedy,Pintesa Margaret si Elizabeth Taylor.
In 1965 a primit premiul Neiman Marcus ( echivalentul Oscarului in film ) si a devenit membru al grupului de elita ce au facut marca " Made in Italy", o marca de prestigiu echivalenta cu marca produselor de lux.
Este recunoscut pentru croielile sofisticate cu detalii rafinate, obsedat de perfectiune si eleganta. Stilul sau este inconfundabil, desosebit de pretios, echilibrat si extravagant.
Anul 1968 a introdus simbolul brandului ce a inconjurat intreaga lume pana astazi- eticheta "V".
A creat nu doar rochii ci si accesorii, costume, jeansi.
In 1998, compania a fost vanduta holdingului " Di Partecipazioni Industriali", un conglomerat italian ce a achizitionat
branduri de renume.
Si apoi cativa ani mai tarziu Hdp a vandut compania unui alt grup gigant de textile, Marzotto.
In 2007, anuntul retragerii lui Valentino a intristat inreaga lume ce l-a iubit si adorat.
Valentino este un brand gigant ce ne invaluie in misterul si umbrele pietrelor pretioase,in rafinamentul si discretia
curbelor si a taieturilor sofisticate.
Valentino va ramane mereu emblema femeilor romantice si elegante.

Labels: bluze dama, genti dama, haine dama tinute chic, haine online, imbracaminte online, incaltaminte, jachete, pantofi, rochie, ROCHII, rochii de ocazie, ROCHII DE SEARA, rochii elegante, tinute elegante